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This airy New York kitchen was born out of the backyard—and acts like a playground. By Hadley Keller MANAGEMENT CONSULTANT– turned-designer Sarah Robertson always approaches her projects with a can-do mindset. Take this 1910 Queen Anne home in New York’s Westchester County. Originally, it held a dark and cramped kitchen. The backyard, on the other hand, was totally dreamy. So the owners reached out to Robertson, whose firm, Studio Dearborn, has specialized in kitchens for more than a decade. Working with Stoll & Stoll Architects, she moved the kitchen to the back of the house, where it looks out onto the greenery. To make the room feel expansive, they bumped up the roofline to create a wood-paneled tray ceiling and added eight windows. Robertson assigned storage to lower cabinets, drawers, and one wall. “We wanted that open connection to the backyard,” she explains, “and I like to maximize storage.” Here, everything has its place, alltucked within the cabinetsRobertson designed with Schrocks of Walnut Creek, the undercabinetry painted in Benjamin Moore’s Rockport Gray. “It’s a historic house, so this color felt more right than white,” says the designer, who opted for modern hardware by Foundryman and DLV Design for “a cleaner, transitional vibe.” With a view this nice, why ever go outside? Countertop Storage “We wanted to make it feel cohesive,” Robertson says of the full wall of cabinetry. Pull-down panels—complete with brass hardware by Foundryman—hide small appliances. Built-In Pantry Snacks take up lots of space, so Robertson devised a pantry with tray shelves (which pull out so items in the far back are easily accessible) to stash all manner of dry goods. Custom Drawers Robertson designs all her cabinets with Schrocks of Walnut Creek, an Amish company in Ohio. This pull-out caddy for cooking utensils is conveniently situated beside the range. Hidden Brilliance Rather than taking up another drawer, a drying rack and cutting board are stashed between lower cabinets—they slide out easily thanks to sturdy leather pulls.

This airy New York kitchen was born out of the backyard—and acts like a playground. By Hadley Keller MANAGEMENT CONSULTANT– turned-designer Sarah Robertson always approaches her projects with a can-do mindset. Take this 1910 Queen Anne home in New York’s Westchester County. Originally, it held a dark and cramped kitchen. The backyard, on the other hand, was totally dreamy. So the owners reached out to Robertson, whose firm, Studio Dearborn, has specialized in kitchens for more than a decade. Working with Stoll & Stoll Architects, she moved the kitchen to the back of the house, where it looks out onto the greenery. To make the room feel expansive, they bumped up the roofline to create a wood-paneled tray ceiling and added eight windows. Robertson assigned storage to lower cabinets, drawers, and one wall. “We wanted that open connection to the backyard,” she explains, “and I like to maximize storage.” Here, everything has its place, alltucked within the cabinetsRobertson designed with Schrocks of Walnut Creek, the undercabinetry painted in Benjamin Moore’s Rockport Gray. “It’s a historic house, so this color felt more right than white,” says the designer, who opted for modern hardware by Foundryman and DLV Design for “a cleaner, transitional vibe.” With a view this nice, why ever go outside? Countertop Storage “We wanted to make it feel cohesive,” Robertson says of the full wall of cabinetry. Pull-down panels—complete with brass hardware by Foundryman—hide small appliances. Built-In Pantry Snacks take up lots of space, so Robertson devised a pantry with tray shelves (which pull out so items in the far back are easily accessible) to stash all manner of dry goods. Custom Drawers Robertson designs all her cabinets with Schrocks of Walnut Creek, an Amish company in Ohio. This pull-out caddy for cooking utensils is conveniently situated beside the range. Hidden Brilliance Rather than taking up another drawer, a drying rack and cutting board are stashed between lower cabinets—they slide out easily thanks to sturdy leather pulls.

A room tucked away within the woodsgoes from large to intimate. After buying a ranch on nearly 3 silvan acres outside the town, the new owners quickly created plans to renovate the immense room. Having restored four kitchens in past homes, they were at home with endeavor such a serious project. however now, they selected to figure with knowledgeable to form the method easier and stress free. The couple was introduced to married woman tater, designer at Karr Bick room , by their house agent. “We clicked right away,” says the house owner. “She understood my style aesthetic and created everything therefore seamless.” The home’s exterior had a lodge feel, however the inside was Tuscan. The house owner extremely wished the room to match the texture of the home’s exterior. She describes her vision as “Forest stylish,” that means neutral colours that blend well with the greens and browns she sees from her window: easy, clean lines and components of visual interest with a country bit. married woman says that from their initial meeting, her consumer was prepared to hit the ground running. “She was somebody UN agency extremely helped the project move quickly by creating selections on materials and layout,” married woman says. married woman created 3 to four totally different layouts for the area as a start line for the look. She says the largest challenge of the project was the massive quantity of area they'd to figure with, nearly 600 sq. feet. The recent room layout didn’t operate right, and also the work space was scrunched along. The new style required the world to breathe with a additional large-scale layout. To fill the sq. footage, married woman incorporated 2 islands into the room. In one space, an enormous island with a wood high was created to feel additional sort of a table than associate island. With chairs on all sides, it's a good place for the owners and guests to take a seat throughout meals or diverting. The second island is that the husband’s spot as a result of he's the cook within the family. There is no lack of storage in the new style with tons of pull out drawers for pots and pans. A coffeehouse behind the kitchen appliance wall includes doors to hide appliances. With the layout challenge resolved, consequent obstacle to tackle was making certain the area was balanced. “We had to work out the way to embrace the country qualities the house owner wished whereas conjointly marrying it to associate industrial edge with touches of female charm,” married woman explains.For carpentry, the designer inspired the house owner to assume on the far side stark white. The wolfram perimeter cupboards don't seem to be white or grey however somewhere softly in between. they're finished with different dark hardware. The dark grey island carpentry has hints of distressing to melt the planning and convey in rustic qualities.Dark wood beams channel the country roots of the house and it's rural location; but, they were virtually ignored of the project thanks to placement problems. “The overall look wouldn’t be identical while not the beams,” says married woman. conjointly complementing the country feel of the house, the dark, fabric floor tile has hints of wood tones that echo the wood beams on the ceiling. The designer set it during a fabric pattern for a softer foundation against the remainder of the room components.The chrome steel appliances have associate industrial ambience and convey during a additional modern edge. For the female aptitude, the house owner fell enamored with the show-stopping backsplash mosaic tile that has hints of flower styles in different dark colours that obtain on reflective mirror tones. They sparkle each therefore slightly in sure light-weight to enhance the unstained appliances. “The mosaic is therefore distinctive, and footage don’t have sex justice,” married woman says.The backsplash may be a favorite facet of the look for each house owner and designer, however married woman conjointly loves the quantity of natural light-weight that spills into the area, and also the read into the curtilage is breathless. “You feel extremely serene and calm during this room,” she says. “I am happy with however it reflects the homeowner’s style and the way proud she is of this area.” As for the house owner, she says selecting a favourite half is hard. on the far side the backsplash, she conjointly loves the “beautiful combination of various materials” within the area. “Functionally, I love the quantity of cupboard area that married woman worked into the style,” she adds. “For once, we've lots of space to store everything!” See stlouishomesmag.com for resources and extra photos.    

Kirkwood residents Chris and genus Melissa Fox had designed their home nearly a decade agone. Even although it was comparatively new they weren’t happy. whereas the vessel sinks provided visual eye candy they weren’t terribly functional; water splashed everywhere the countertops, the area was dark, and the intrinsic corner bathtub tub was cumbersome. “Their dislike for the brown woodwork finally created them conceive to do one thing,” says designer Leah Jerrell, owner of LJ Interior styles. a lover of a lover had referred Randall Jarrell to the couple. She reminisced concerning their 1st meeting. “We paged through some of Chris and Melissa’s inspirations photos. typically folks just like the essence of a photograph however would like somebody to hone in on what they extremely like therefore they don’t go barking up the incorrect tree. we have a tendency to straightaway clicked.” It didn’t take long for them to form an idea. Her purchasers wished a clean, bright, unaltered look which translated into AN all-white toilet. as luck would have it, the size of the toilet was not a downside. Leah was ready to use an equivalent footprint. each of the recent brown cupboards were swapped out for brand new white vanities with additional easy undermount sinks with Corian Quartz countertops. “Some folks wish additional storage, however genus Melissa likable having an area to take a seat all the way down to place her makeup on or simply take a flash to concentrate on herself. So, we have a tendency to determined to stay an equivalent basic cupboard styles.”Once the bathtub tub was removed, the house was good for AN aesthetically pleasing separate tub by Wildon Homes. Even although Randall Jarrell went with Moen chrome taps she selected a surprising antique brass end lighting fixture to hold over the bathtub. “I love compounding finishes. It simply makes the house such a lot additional attention-grabbing." Leah wished to herald some texture to the all-white area, therefore she instructed victimisation shiplap on the walls painted Sherwin Williams Pure White. She understood her purchasers likable the concept of a hardwood floor however additionally knew it might be a tricky mission to keep up. they need 2 terribly active young daughters. It was straightforward to accomplish the same look with a look-alike wood tile Leah found at The Tile search in Brentwood. Last, however not least, it absolutely was time to tackle the problematic shower. Leah was fast to defend her selection of white subway tile, a ancient favorite. “I wished to keep a classic look however not be boring. therefore I modified it up and used larger 4x12 tiles.” the dimensions of the shower was quite ample, sufficiently big to feature his-and-hers shower heads and individual thermostat controls. Canine lovers can appreciate the hand-held shower focused on the wall. it absolutely was additional for a special member of the family, the loveable pooch, Bodie. All tails were wagging as accent mirrors and soothing design completed this Kirkwood toilet makeover. See stlouishomesmag.com for resources and extra photos    

In the home, no two spaces are as firmly engraved with the examples of day by day life as the kitchen and washroom. These are center points in which customary tasks happen, where we can loosen up and facilitate the day's anxieties, or on account of the kitchen, where we associate with loved ones over a common feast. It bodes well for their plan to mirror the characters of the property holders – with hues, unique alcoves and usefulness made to feed a feeling of self and bolster what it implies for the person to feel "at home." Created by Australia's driving planners and fashioners, the ventures in this issue of Houses: Kitchens and Bathrooms are mixed with the character of the general population who occupy them.It's been a delight assembling this issue and exhibiting the various items and tasks. Here are only two models. Golden Road has redesigned a loft for a customer who is leaving on another section throughout everyday life (page 76). Among the lavishly designed components is the ensuite bowl – its pink terrazzo a gesture to the customer's pink-confined displays. Kennon Studio has adopted an alternate strategy with Spanish Mission House (page 90). The controlled highly contrasting plan is intended to give an exquisite system to the property holder's very own capably hued works of art. Brimming with new thoughts for kitchens and washrooms with character, this issue is certain to rouse the formation of your own spaces for self articulation. 01 Teel bowl blender Phoenix Tapware's Teel gathering, including blender taps, shower blenders and outlets, is an examination of geometry and equality. The thin tapware social affair is open in four fruitions: 'Chrome,' 'Brushed Nickel' (imagined), 'Weapon Metal' and 'Matte Black.'phoenixtapware.com.au 02 Oliver cast-iron paw foot bathThe Oliver cast-iron snare foot shower from Highgrove Bathrooms is as indisputable in looks everything considered in feel; its thick, quality material has favored warmth upkeep over standard acrylic tubs, thinking about longer loosening up. The shower and feet touch base in a variety of striking tints. highgrovebathrooms.com.au 03 XSquare bathroom furnitureDuravit and maker Kurt Merki Jr have made a furniture range organized expressly to enhance the contemporary DuraSquare washbasins. The X Square range incorporates a striking rectilinear chrome diagram, which mirrors the geometry of the basin.duravit.com 04 Fantini Acquadolce shower roseDesigned by Italian organizer Franco Sargiani, the Fantini Acquadolce two-work shower climbed from Rogerseller celebrates "unmistakable delight." The smooth shower rose offers a luxurious precipitation sway from 168 foe of limescale gushes similarly as a central haze function.rogerseller.com.au 05 Pebble gathering Danish maker D Line has collaborated with Bjarke Ingels Group to make a contem-porary course of action of bathroom additional items charac-terized by carefree, bended shapes and material materiality. The Pebble gathering consolidates a restroom brush, shower rack, towel rail and more.dline.com 06 Aio Aurajet twin showerMethven's Aio Aurajet twin shower is directly available in 'Matte Black.' This striking consummation makes for a part point that can change a typical white-washed bathroom into a mind boggling space. Aio's stand-out brilliance formed showerhead makes a rich fan-like spray.methven.com 07 Metropolitan surfaces accumulation Inspired by the harsh, unpolished materials found in mechanical engineering, Caesarstone's Metropolitan gathering incorporates seven solid look completes, perfect for restroom spaces. The 'Vaporous Concrete' complete (imagined) radiates physicality, profundity and movement.caesarstone.com.au 08 Neb shower and bowl Designed by Benedini Associati for Agape, the Neb gathering incorporates a smooth bath and bowl that have amazingly slim profiles, made conceivable gratitude to the bio-based material Cristalplant, an Italian-made material with a smooth surface reminiscent of normal stone.artedomus.com 09 In-Wash Inspira toiletIn-Wash Inspira by Roca is an imaginative can highlighting a coordinated water spout for individual cleanliness. The "brilliant" latrine likewise has flexible water and gaseous tension, a LED night light, an auto cleaning spout, client location innovation and more.roca.com.au 10 Drain completes Stormtech's metal, copper, bronze and matt-dark completions for waste frameworks offer imaginative alternatives to architects, specifiers and customers. Accessible over Stormtech's range, the completions can give a smooth and glowing completion to any contemporary design.stormtech.com.au 11 Purist washroom accessoriesPurist adornments by Kohler are intended to bring a completing bit of style and extravagance to the restroom. Counting a towel bar, towel ring and robe snare, the frill accumulation arrives in a scope of valuable metal completions – rose gold, brushed bronze and brushed nickel.kohler.com.au      

MARY LUSSIANA IS ENCHANTED BY AN ART AND CRAFT-FILLED HOTEL AMONG THE OLIVE GROVES AND HILLTOP TOWNS OF THE ALENTEJO REGION Somewhere in the range of two hours east of Lisbon, the scene of open fields is dabbed with olive forests and antiquated, white-washed, peak towns graced with settling storks. The as of late opened Dá Licença has brought a totally new dimension of cabin to this crude and true corner of Portugal's Alentejo region.Converted nineteenth-century ranch structures, dissipated crosswise over ground that was initially developed as a natural nursery by nearby nuns, are at the core of in excess of 300 sections of land of land. Here, somewhere in the range of 13,000 olive trees thrive and outcrops of the zone's fundamental marble – in delicate pink and glowing white – push through the ground like snowdrops in springtime.In the primary house, there are three roomy suites, one of which opens out onto an emerald green interminability pool. Four additional suites – two standing autonomously with private pools and two all the more framing a cluster with housetop porches and enormous patios – keep running from the house in the middle of fig, olive and stopper trees down towards Estremoz. An overwhelming town with medieval bulwarks and a 28-meter-high keep, created totally in the nearby marble, Estremoz stands high not too far off ruling the encompassing wide open. It is more than deserving of multi day's meandering (stop for lunch at Gadanha Mercearia and attempt generous nearby dishes, for example, braised dark pork cheeks). There is an abundance of recorded landmarks to visit, from holy places to palaces and houses, just as a rich territorial convention of handiworks to find, from weaving to brilliant earthenware production and dirt figurines.It is fitting, at that point, that Dá Licença's proprietors – Portuguese Vitor Borges and French Franck Laigneau – have made this little jewel so as to pay praise to expressions and specialties. They have drawn generally on the expertise of provincial craftsmans, with woven mats from Mizette Nielsen – long a figure of note in the Alentejo's weaving industry. The ubiquitous marble includes in side tables and lights structured by Vitor and made by nearby specialist Francesco Pluma; there are likewise material green-veined white marble baths and hand-cut bowls in Estremoz's palest pink marble – what the Italians call pelle d'angelo. Rock floors give welcome cool in the seriously sweltering summers here.Overlaying these insides are works of art from the Jugendstil and Anthroposophical structure developments – which Franck supported in his Paris display in a past life – just as numerous contemporary pieces, for example, pottery by Susana Piteira and a metal smokestack by Ico Parisi, formed like a drop of water. Every room has been deliberately designated with furniture and artworks that reverberation the country effortlessness outside.And it is the outside that left me with my superseding memory of Dá Licença: the red Alentejan sun setting over a round pool sponsored by pieces of marble and trees of orange, lemon and tangerine, through which the breeze whistles in the quietness.    

EN-SUITE BATHROOM  Pale Arabescata marble has been used for the elegant bath surround and splashback. The distinctive coral-themed hanging lightis a design by Vaughanhad seen at Charleston, the Bloomsbury Group's Sussex house. They additionally gather works by Duncan Grant – one of its residents.The proprietor had focused on that she didn't need the house to be too 'existing apart from everything else', so it wouldn't feel dated in years to come. Beata concurred and the two of them dismissed a regular cabin kitchen look. 'I needed the kitchen to be new – sort of Fifties in feel, just as the house had advanced after some time,' Beata says. The organizer fronts are plain and she has utilized an unpretentious ribbed wooden completion, painted a solid green, for the focal island, which has a copper work surface. The lights, as well, are copper, while the Swedish cabinet handles, in a few distinct shapes, are metal. 'Individuals become fixated on each metal completion in a kitchen being indistinguishable. It's substantially less inflexible to blend it up a bit.' The detachment of this methodology is adjusted by Beata's fastidious way to deal with plan-ning, which included capturing and estimating the proprietors' preferred belongings before structuring sharp approaches to show them.There are still a lot of chances for no particular reason: in the living room a Matisse-like toss, on the divider over the couch, gives an unex-pected highlight to the room. 'It's crisp and makes the vibe of the room more youthful,' Beata says. A melancholy inglenook chimney inverse was perked up with designed carefully assembled tiles, which reflect light once more into the room. Hand-painted renditions from Balineum include in the pretty cloakroom over the corridor while, in the cozy nearby, hand-painted tiles from Norton Tile Company are utilized to make a level, present day take on a Delft chimneypiece. Here, vintage finds including a couple of shoddy and happy pine dressers and plant prints in lavish Eighties-style casings purchased at closeout make an intriguing space for the proprietors' children to unwind in.Things are more excellent in the twofold stature fundamental room, some portion of the new expansion, with grasscloth backdrop on the dividers and ceil-ing, and a refined Elsie de Wolfe-style headboard in an intense chintz, which makes a brilliant concentration in this quiet room. The restroom adjacent blends provincial and advanced components, its roof of harsh painted boards and pillars furnishing an appear differently in relation to the smooth marble used to make an encompass for the shower and sprinkle backs for the two bowls. His is pared-back on nickel legs, while hers lays on a bended vanity unit, making an edge of Forties chic.Storage with added style is the way to the changing area, with pantries curtained in Beata's orange and inky blue 'Palm Drop' texture, its dark blue theme grabbed in the inherent drawers with their reflected fronts. In here, as somewhere else in the house where a considerable lot of the windows are little and low, Beata has taken the roman blinds up to the roof to cause the space to show up taller.The striking innovation of Beata's plans earned her the title of House and Garden Interior Designer of the Year in 2018. This charac-terful house demonstrates, indeed, what a commendable victor she was KITCHEN AND DINING ROOM A contemporary ceiling fixture with vintage glass globes and modern style metal pendant lights supplement a bespoke kitchen by Jack Trench, which incorporates tall oak cabinets, an island in Fior di Pesco marble and a patinated smooth-complete solid floor by Mass Concrete. A Joseph Goody painting directs an antique Irish feasting table, Oswald Haerdtl seats upholstered in a Robert Allen cotton velvet and a vintage armchaircovered in Scalamandré's 'Heaven Velvet' from Stark    

What is the purpose of structure if it's to the detriment of capacity?' The non-serious inquiry is presented by one of the proprietors of this west London maisonette. He is para-expressing a saying of pioneer design – 'structure pursues work', the conviction that the reason for a structure or article ought to be the deciding variable of its look. Outside of any relevant connection to the issue at hand, the proprietor's remark may propose a somewhat cool way to deal with 'home' – utilitarian spaces made without the delights of articulation or ornamentation. Be that as it may, as the photos on these pages delineate, this isn't the case.How would it be able to be, the point at which the inside fashioner whose help he and his better half looked for was Nicola Harding? The Harding and Read organizer's activities are known for their climate characterizing way to deal with shading, prudent utilization of example and well-picked collectibles. All the more critically, says the proprietor, 'Nicola comprehends that family life is untidy. You can't have a home that battles against the way you live.'The North American proprietors previously moved to London from New York 16 years prior. In 2008 they purchased the raised ground-floor f lat in a nineteenth-century stucco-fronted house on a pretty greenhouse square. They later obtained two different pads in a similar structure to oblige their developing family – they presently have two youngsters. The recently rejoined f loors gave a lot of room to Nicola to work with, including three rooms. The proprietors brought to the condition a great craftsmanship accumulation, an adoration for movement and a feeling of family ancestry: he is Canadian of Indian plummet and she is an American whose family is Burmese.Antique vendor and decorator Robert Kime has said that, for him, the beginning stage for the brightening plan in any room is a decent mat. On account of the living room at the front of the structure, the floor covering was one that the couple officially claimed: an enormous Arabesque plan made by The Rug Company as a team with Designers Guild. Nicola has fabricated a touchy, grown-up space around it, with a bespoke enamel paint impact connected to the dividers. This edges a blend of new and classical furnishings, from French Revival to Arts and Crafts to Fifties; the pieces sit together just as the room has been filled over a lifetime, if not generations.This feeling of being developed after some time is something that was essential to the customers. 'Like such a large number of the houses in the zone, our own had been cleaved about throughout the years,' says the spouse. 'Be that as it may, a portion of our neighbors' homes have been in their families for a considerable length of time and have a feeling of character. They are fun loving and somewhat bohemian.' It is a famously troublesome hope to accomplish sans preparation. 'At the point when individuals stroll in, they get a feeling that it is our place,' says the spouse. 'That is down to Nicola's craft of tuning in and understanding.'Helping to re-inject the space with a feeling of history was Nicola's system of pro craftsmans. 'She acquainted us with a splendid cast of characters,' says his significant other, alluding to smithies and enamel specialists, furniture creators and old fashioned sellers. 'The magnificence originates from the carefully assembled nature of everything,' says her significant other. 'Things were created with such quality that their excellence is astounding.'Extending from the front to the back of one side of the twofold fronted house is an open kitchen and feasting territory. It is voluminous and deliberate – the pièce de résistance of the undertaking. Over a scope of dim Shaker-inf luenced base units along one side, zellige tiles move up the divider until about a meter from the high roof. This faces a mass of almost full-tallness Plain English cabinetry in a similar style and shading, albeit here in a glossier finish.Between the two is a refectory table, which Nicola intended to rise when expected to the stature of a work surface. It is a sharp option in contrast to an island. When it is at its lower level, the proprietors can join it with a creating table from the family room at the back of the house to situate 30 for supper. Howe 'Camembert Chairs' – seen all through the house in various hues – are united for these gatherings: an inconceivability in most London kitchens.'We quickly cherished Nicola's shading plans,' clarifies the spouse. This is most obvious in the family room, where energetic blues rule. With its pitched rooftop, uncovered pillars and board boarding, it has the vibe of an outbuilding conver-sion. The couch is agreeable and the open flame welcoming; the making table looks just as it sees a lot of activity; and, along one mass of an inherent bookshelf, a shrouded projector screen can drop at the press of a catch. 'The rhythms of a house change for the duration of the day,' the spouse says. Her significant other proceeds with the subject: 'Our home needs to buckle down. It's loaded up with children after school, there are companions round for supper, grandparents visit normally. It's not enormous for what we put it through, yet it works splendidly' In the same way as other House and Garden perusers, the proprietor of this beguiling bungalow saw an article on Beata Heuman's London f lat in the magazine (in the September 2014 issue), adored what she saw and chose: 'That is the individual who I'd like to plan my home.' Unlike a few of us, however, she finished: she reached Beata and charged her – and she presently views herself as the most joyful property holder in Sussex.Together with her better half and their two children, she had down-sized from a huge, yet awkwardly found stable transformation to this littler house in a town. The late David Myers of Adam Architecture – 'Huge hitters for our little venture,' she clarifies – had structured an exquisite augmentation, and he and Beata worked agreeably together from the start.Though the mid seventeenth-century bungalow has a front entryway on to the town road, numerous guests like to utilize the indirect access, which is painted a solid raspberry red. This opens into the boot and pantry, with its keenly covered capacity, incorporating twin blue organizers with seagrass façades, which f thin a focal sink with a tall, scallop-edged marble splashback. 'Bends bring development and make things increasingly unique and less unbending,' enthuses Beata.There is a couple of bended divider sections in the greenish blue lounge area adjacent, however here it is the blend of periods and hues that is most striking: a lot of mid nineteenth-century Bieder-meier seats encompasses an antique pecan table; there is a bespoke rattan sideboard by Soane painted brilliant orange; and the focal light fitting was structured by Beata in the style of Victorian pool room lights. A thin painted frieze along the highest point of every shelf was motivated by examples the proprietors