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by Erdem Gorgun on Jan 23, 2020
Despite initially dismissing a tired Fifties house, Sarah and Ken Loveday took another look and saw it could become the spacious family home they needed.
When Sarah Loveday and her husband Ken first saw a ‘soulless’ Fifties home in Leamington Spa, they dismissed it out of hand. ‘There wasn’t much I liked about the house – apart from the fact that it offered us the space that we needed,’ says Sarah, a brand designer and interiors stylist. ‘We told the estate agent we weren’t interested and the house soon sold. But then it came back on to the market.’ The estate agent persuaded Sarah to look again. ‘With some reluctance, we realised it was just what we needed,’ she says. ‘It was dull, plain and empty – but offered us plenty of space. Annie, our middle child, was just three weeks old at the time and we were desperate for more room.’ But the family faced an unexpected challenge when they moved in that almost put a stop to renovation plans. ‘The house was infested with rats,’ says Sarah. ‘It was horrendous. For the first nine months, we weren’t sure if we’d stay because we just couldn’t get rid of them. They were in the cavity space above the kitchen, the sitting room and the studio – knowing they were there was horrible. It wasn’t until they were gone that we felt we could start making the house ours.’ The first task was to widen the hallway, which Sarah describes as narrow and out of proportion to the rest of the house. ‘We had plenty of space in the sitting room, so we pushed that wall back. We also put in a new front door and added a chimney breast to the sitting room, which made a real difference as it gave the room a much-needed focal point.’ Working to a budget, the couple decided to postpone doing a full kitchen renovation, instead fitting new Shakerstyle cupboard fronts for a fresh look. ‘We didn’t start the loft until three years – and another baby – later,’ says Sarah. ‘The space was boarded and separated into two rooms joined by a narrow corridor, and there were windows, but nothing else. We did originally plan on putting two bedrooms upstairs but instead we moved a few walls around and turned one of the rooms into a large en suite.’ With the loft conversion finished, the children – Bella, now nine, Annie, seven, and Todd, five, had the space they needed – and Sarah and Ken had their own attic sanctuary to escape to. Downstairs, the sitting room is full of character and colour, with an eclectic, bohemian mix of vintage prints and artwork, cushions, rugs, antiques and treasures that fill the space with personality. ‘I adore textiles and antiques,’ says Sarah. ‘I like nothing more than scouring auction houses for pieces and picking up textiles on our travels to fill the house with – it gives it so much soul.’ As the house dates from the Fifties, Sarah has incorporated this era into her aesthetic by sourcing vintage furniture online and reupholstering mid-century chairs in bright fabrics. ‘Colour is such a joyful thing to have in your home,’ she says. ‘But I never want my interiors to feel too garish or contrived so I ground them with natural textures like jute and wood. ‘It’s been seven years since we moved in and it has taken time to get the house to a place where it feels like our home,’ Sarah continues. ‘It’s been a slow process and moving to a more modern house was definitely a compromise, but now we love the space we’ve created here.
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by Erdem Gorgun on Jan 22, 2020
Pared-back design and a pretty palette of neutrals and pastels are the hallmarks of Rosemary and Justin Bickers’ serene home.
Striking a balance between minimalism and warmth is a tricky task for any homeowner, but add four small children into the mix and you’d be forgiven for giving up on style altogether and heading straight down the ‘practical’ route. This hasn’t been the case for Rosemary and Justin Bickers, who – over the past six years – have turned an unloved doer-upper into a beautiful haven for their family, which includes Alfie, seven, Tom, six, Daisy, four, and Dorothy, six months. ‘We had been searching for the right property for over a year,’ says Rosemary. ‘My late father had been hoping we’d stay close to my family home and he was delighted when we found a house just 10 doors down from it.’ Although the property was in need of a complete overhaul, Rosemary wasn’t fazed. She had grown up on the road and over the years had been in many of the neighbours’ houses, so had seen how they had been reworked. It also helped that Justin is an electrical contractor specialising in lighting solutions. The first room to be tackled was the kitchen. ‘It was really dated,’ says Rosemary. ‘It was going to be a big job, but we had to be practical and do it on a budget and in stages as there was so much more to be done in the house.’ New electrics and plumbing, plus replastering and repainting throughout were also on the to-do list. After careful planning and budgeting, it was decided that phase one would be to extend out at the back and into the side return to get a bigger kitchen and also a cloakroom. The old cabinetry was replaced with pale-grey, Shaker-style units that have a clean, crisp look, but also give the room character. Phase two of the downstairs renovation was knocking through to the garage to create a dining space and a family room, both of which are linked to the kitchen through large openings. The dining room also has floor-toceiling glazed doors that lead out to the garden. One area downstairs that hasn’t received Rosemary and Justin’s magic touch yet is the sitting room. ‘We decided to keep it as a traditional “best room”,’ says Rosemary. ‘We will get around to doing it up in the future, but it hasn’t been a priority so far.’ The children’s rooms and Rosemary and Justin’s own bedroom were phase three and all have been decorated in off-whites with pretty pastel accents for a serene feel. Rosemary also likes to buy original artwork to give each room personality. ‘Styling my home feeds my creativity,’ she says. ‘I also take a lot of inspiration from places we’ve visited or hotels we’ve stayed in. The Swan Hotel, nearby in Southwold, is one I love. And my mum is great with colour and has a good eye, so I’ll often ask for her advice. She’s also a lover of collecting ornaments – just like me!’ And are Rosemary and Justin happy with all they have achieved? ‘Definitely,’ says Rosemary. ‘The family room is my little hygge nest. It’s my favourite area of the house to sit while the children play and I’m feeding the baby. I also love our dining room. It’s where the family comes together to feast and to chat. Luckily, we all love our food. Simplicity and balance is what we wanted to achieve, and I think it’s what makes this home such a happy one.’
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by Erdem Gorgun on Jan 20, 2020
Allison Lindeman and her husband Oeyvind were determined to bring their cosy, minimalist take on Nordic design to their renovation plans.
Incorporating Scandinavian design into their Victorian semi in southwest London was a priority for American interior designer Allison Lindeman of Saltbox Interiors and her Norwegian husband Oeyvind. They wanted to create a huge, open-plan family living area that still felt ‘hyggelig’ – cosy and welcoming. ‘When we looked at houses, we struggled to find one that fitted the open-plan concept, as properties within our budget tended to have lots of rooms – a front room, dining room and separate kitchen. So we decided to go for a cheaper house that we could change to suit our lifestyle,’ says Allison. To build their dream living space, the couple knocked four rooms – the dining room, breakfast room, kitchen and conservatory – into one, and created a main living space with different zones. ‘There’s a TV and play area, a sitting area with a fireplace, a dining area and a kitchen,’ says Allison. The result is a light, minimalist and relaxed family space where children Piper, eight, Finn, six, and Kaia, four, can eat and play and where everyone gathers to spend time together. Allison’s love of Scandinavian design is evident throughout the house. Downstairs, walls are white, and there are plenty of industrial touches in keeping with the Scandi design aesthetic – metal stools, brick tiling, raw wood shelving and a handleless kitchen. Even the floor tiles in the downstairs hallway and bathroom have an industrial edge. ‘They’re ceramic, but meant to look like cement,’ says Allison. The clean lines of the living space are softened by cushions and rugs. ‘The risk with this type of design is that it can come across as cold if not done properly,’ says Allison. ‘But good Scandinavian design is layered and varied, using texture and materials to create depth and interest.’ Throughout the house, the couple’s much-loved art collection provides splashes of colour against the monochrome backdrop. Yellow rugs, cushions, throws and chairs throughout the house pull the design scheme together. Upstairs, Allison painted her en-suite bathroom a stunning, deep blue. ‘I am particularly proud of the en suite,’ she says. ‘We converted a bedroom to a bathroom when we redid the house and the room was so large that I experimented more with colour and played off the blue in our bedroom.’ Keeping the interior design practical was a major priority for Allison. ‘A house with small children needs to work for everyone without any stress that things will get ruined,’ she says. ‘Our Ikea dining table also serves as a craft area, painting workshop and glitter palace. The kids can make a mess and draw on the table without worry as it usually wipes clean, but if it doesn’t, I don’t stress. We used wipeable paint throughout the house and had lots of storage built in so we can tidy away all the toys and easily create a grown-up space for relaxing and entertaining in the evening. It’s the perfect family home.’
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by Erdem Gorgun on Jan 19, 2020
An eye for stylish vintage finds helped Esther Patterson turn her former design studio into a colourful and intriguing home.
Originally bought as a design studio for Esther Patterson’s bespoke lighting company Curiousa & Curiousa, this former malthouse in a Derbyshire village has, in a few years, gone from practical workplace to stylish home. Built in the 1800s, the property has been through various guises, but the unique style of the interior struck a chord with the couple. ‘My husband Paul and I were living across the road, but our studio space in this building gave us lots of options,’ says Esther. ‘Firstly, we had the idea of creating a small independent cinema, The Northern Lights Cinema. Then we realised that as our company grew, we would need another base for our lighting company, so the seed was sown to create a home for us and our son Gabriel, here above the cinema,’ says Esther. The couple were confident about making changes to the upstairs apartment. Despite being in a conservation area, the property wasn’t listed so the interior design was open to options. ‘The brick walls and beams were a beautiful feature to showcase,’ says Esther. ‘And we wanted to be able to stand at one end of the building and see all the way through, so decided on glazed walls made from Crittal windows to divide the open-plan space. The glass was sound-proofed and we put up curtains for privacy.’ Keeping the original floor was a priority but, with the cinema below, they needed to consider sound insulation once more. ‘We realised we needed to install new plumbing and electrics, so we raised the floor to allow for all of this,’ explains Esther. ‘And it was beneficial, as the varying levels divide the different areas.’ A pantry was fitted in behind the kitchen to house appliances and more storage. ‘I wanted somewhere I could just stash all the household stuff away,’ says Esther. ‘It is a godsend.’ With a good eye for reclaimed materials and vintage buys, Esther and Paul gave their home a bespoke look, which evolved naturally, enhanced with a selection of their own lighting. ‘I’m not one for finding solutions at the beginning of a project and have it all spot on,’ says Esther. ‘It was like creating a foundation for a home to develop on its own. It has grown as we’ve grown, which is why it feels so comfortable, reflecting exactly what we’re all about.’
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by Erdem Gorgun on Jan 16, 2020
Marie Engberg’s home reflects her belief that sustainable design and timeless interiors go hand in hand.
Danish-born Marie Engberg is not a woman to do things by halves. Her belief in caring for the planet, both socially and via the designworld, has resulted in a diverse career that has seen her work for several interiors brands and, leading up to 2012, on Barack Obama’s re-election campaign. When Marie and her husband Niels Grove Jensen decided to return home from America to start a family,which now includesWilfred, five, and Nora, three, they found a characterful townhouse in a vibrant district of Copenhagen. ‘Humleby is a small village where workers from the Carlsberg brewery once lived,’says Marie. ‘Built in 1886 by architect Frederik Bøttger, the house is a fantastic piece of history in itself – everything is crooked and the rooms have soul.’ The property perfectly harmonises with Marie’s latest venture, sustainable design store Yume, which she opened with Anja Holm in 2017. ‘Personal and eclectic with a Scandinavian edge’ is how Marie describes their style, but her new home needed a gentle renovation before she could make her mark on it. Spread over four levels, the interior was outdated and lacked a sense of flow. ‘We wanted every floor to function well on its own, while contributing to the overall feel of the house,’ says Marie. So the numerous hallways and stairs were reworked,the top floorwastweaked to accommodate a master suite and dressing room, and the first floor – where the children’s bedrooms are –wassimplified. ‘Our priority was to enhance the period details by introducing colour and texture,’ explains Marie. Some of their standout sustainable pieces include the vibrant royal blue and navy Masaya Lounge Chair in the sitting room. ‘It packs a punch and I love thatthe concept behind it is as much aboutreforestation asitis aboutfurniture making. Even our plates are made from recycled yogurt pots, which prove that something considered to be rubbish can be turned into practical, beautiful items.’ Once Marie leaves her busy store, her favourite pastime is relaxing at home on the porch, petting the neighbour’s dog, or enjoying drinksin the gardenwith friends. ‘The neighbourhood is thriving,’ she says, ‘and it gives us endlessinspiration when it comes to preserving the past and creating an eco-friendly future.
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by Erdem Gorgun on Jan 15, 2020
A wealth of original features keeps the character and charm of Bernie Rix’s converted barn alive.
Original stone walls, wooden beams and an inglenook fireplace all contribute to the rustic charm that led Bernie Rix and her husband Dave to fall head over heels for this characterful family home. ‘Before we’d even stepped inside, the beautiful features had won us over’, recalls Bernie. ‘The gable end windows, the waney-edge cladding and Blue Lias stone gave the barn that rural appeal we were looking for; something very different to the townhouse we were living in.’ Originally built around 1850, the barn had been converted into a dwelling in the early Seventies. The previous owners had renovated since then, but when Bernie and Dave moved in, in 2016, it was time for an update. ‘Luckily for us, the work carried out had been done to a very high standard using good-quality materials, including solid-oak flooring and a handmade kitchen with a flagstone floor,’ says Bernie. As well as cosmetic updates, work needed to be done on the electrics and woodworm in the loft. The overgrown garden was another project in itself, with Bernie and Dave working on it at weekends. The country-style kitchen was one of the main draws of the property. ‘Although it’s about 20 years old, the quality is fantastic and we love the Shaker style of the cabinetry,’ says Bernie. ‘We repainted the units and added a bespoke island as a focal point.’ Plus, the open flow of the kitchen, dining and sitting room also makes a great space for the family’s Labradors, Odie and Rolo, who have free rein of the downstairs. With no structural changes needed, Bernie was able to put her stamp on the interior not long after they moved in. ‘The previous decor was fairly neutral, which meant it was easy to look past the existing schemes and visualise what to do with each space,’ she says. ‘As our previous home was modern and the furniture we owned just wouldn’t sit right in a property of this age, we bought several pieces at Bonds Lifestyle, a local antiques and interiors emporium.’ Adding colour through soft furnishings has brought each room to life and Bernie has paid particular attention to the window dressings. ‘I run a soft furnishings business called Rix Interiors (@rixinteriors), so I have made all of the curtains, blinds and most of the cushions myself.’ With the dark wooden beams in nearly every room, Bernie has kept the walls light in colour to maintain an open feel. ‘I chose Farrow & Ball’s Skimming Stone for most of the interior walls, as it has a warm tone to it and creates a lovely contrast.’ Preserving the charm of the original barn was a priority for Bernie, so she has cleverly mixed traditional style with more modern touches. ‘Living in a historic property doesn’t mean you have to be restricted in your decorating choices,’ she says. ‘While I’ve given a nod to the original building, I’ve still made it our own and brought it up to date with splashes of colour and personal touches.’ With two grown-up children, Amy and Joe, and Bernie’s granddaughter, Ottilie, often staying, along with extended family, Bernie has made sure the whole space works for everyone. ‘Being able to spill over from the dining room into the cosy sitting room is perfect for entertaining large groups, particularly in winter when we can all gather round the log burner.
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by Erdem Gorgun on Dec 22, 2019
A 400-year-old mill house has been given a new lease of life, while retaining all of the charm that has made it a favourite family escape for two decades.
A mill house tucked away in a rural valley just three miles west of Dartmouth and a quick walk to the picturesque beach of Blackpool Sands became a bolthole escape from London life for Tanya Bird. It proved to be an idyllic spot for her and her three sons to enjoy holidays away from the city, with all the freedom afforded by the country-meets-seaside location. ‘It was a magical place for the boys to grow up,’ she says ‘Surrounded by the sea, they would spend hours swimming, sailing and making camps. All their childhood summers were enjoyed here, as well as Christmas and Easter breaks. It has always been very much a home from home for us.’ Fast forward 17 years and the boys, now young adults, are at different stages in life and family trips to the mill are saved for a few precious weeks each year. ‘The time felt right to renovate the mill and to rent it out as a holiday let between our visits,’ says Tanya. 'I approached Unique Home Stays and they suggested a couple of designers to help me manage the process.’ After initial meetings, Tanya commissioned Siobhan Hayles and worked closely with her on all elements of the transformation. ‘Siobhan has an incredible eye, both creatively and practically, and really helped to realise my vision. I had strong initial thoughts about what I wanted, but she took my ideas to a level that I would never have achieved on my own,’ says Tanya. With Siobhan’s trusted trades team on board, building work commenced in the spring of 2017 and by the start of August that year, Tanya had her first bookings. Originally a working mill on the River Em, Ellesmera is one of four mills positioned along the stream and consists of two structures, linked together by a vaulted kitchen space at the rear. Initial work on the house involved damp proofing the property and digging new channels around the exterior to improve drainage, while pipework was updated for the water supply. On the ground floor, a former boat and wood store has been converted into an open outdoor/indoor snug that has transformed the house. The space features a woodburner, comfy sofas covered in throws, timeworn kilim cushions and old garden paraphernalia displayed eclectically on the original stone walls. ‘Whatever the weather, you can cosy up and feel close to nature,’ says Tanya. A decked platform replaces a former sloping lawn, while French doors from the adjacent dining room open onto original mill stones that have been inlaid into the deck as a nod to the property’s history. The boys’ former bunkroom has been updated with a stylish monochrome bedroom scheme; and the bathroom has been refreshed with a freestanding bath, rain shower, Tadelakt walls and patterned tiles. Throughout, rustic-finish rooms have been redecorated in shades of off-white, stone and soft mole, while pops of ochre, turquoise, warm reds, earthy oranges, dark blues and black punctuate soft furnishings, rugs, fabrics, and headboards. Original French herbarium specimens and fossils reference Tanya’s academic background in natural sciences and her passion for plants. Much of the conceptual work was completed remotely, followed by visits with Siobhan to Chelsea Harbour and Ardingly Antiques Fair to source fabrics and one-off finds. ‘I originally fell in love with the mill for its sense of calm and relaxed Provençal feel,’ says Tanya. ‘After 15 years of family life, it desperately needed renovating, but I didn’t want to spoil its inherent charm.’ A beam in the living room still bears a Latin imprint, painted by the previous owner: This corner of the earth smiles for me more than any other. ‘These markings are all part of the history of the mill and I wanted to treasure them. Siobhan understood my need to preserve the essence of the space. I wanted our home to feel comfortable and to have a sense of place and authenticity. When I walk through the door now, those sensory benchmarks are as strong as ever – I couldn’t be more delighted.
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by Erdem Gorgun on Nov 30, 2019
Janet and Paul Gleeson have filled their south Dorset village house with an eclectic assortment of antiques, modern art and trophies from their travels.
The first thing I remember about the house was walking into the drawing room and thinking, “This is fabulous”,’ says Janet Gleeson of the moment she and husband Paul first viewed the house that would become their family’s Dorset home. ‘It was a big step because we had always lived in London. We hardly knew anyone in Dorset and until then we’d worried we were doing the wrong thing. But the children had left home and we wanted a complete change and at that moment the realisation that this was the house was instantaneous – like falling in love.’ The three-storeyed red brick house hides behind a high wall in the centre of a picturesque Dorset village, not far from the coast. It was built c1760, to a conventionally symmetrical Georgian plan. A central corridor once led to the staircase, with two rooms on either side on each floor, and a servants’ attic. ‘Then, in the early 19th century, the owners must have wanted to aggrandise the house, so they added a new wing to the south, moving the front door, and installing a new columned porch made from local Purbeck stone. As a result, the layout became quite unusual. The stairs are now slightly oddly placed off centre, but we have a wonderfully spacious drawing room,’ explains Janet. The house was altered again in the early 20th century, when another wing was added to the north for a larger kitchen and more servants’ bedrooms. ‘It was probably around that time the panelling was installed in the drawing room. It gives the room its richness,’ says Janet. This is the backdrop for paintings that the couple have collected over the years. Janet started her working life at Sotheby’s, later worked at Bonhams and as an editor for Miller’s Guides and now works on the Antiques Roadshow. The couple have always loved going to junk shops, auctions and galleries. ‘Our taste has shifted over the years, from 19th-century prints, watercolours and oils, to more modern works and anything with a local connection. One of our recent additions was a pair of oils of the local coastline by Elizabeth Muntz, an artist who lived in the neighbouring village and is buried in the churchyard.’ Janet is also fond of colonial furniture, having been born in Sri Lanka. ‘The Ceylonese-Dutch cabinet in the hall was inherited from my grandmother, but I bought the 19th-century specimen table that was made in Ceylon (as it was then) in a local sale. The table was in pieces and had to be carefully restored,’ she recalls. The couple also like to contrast old and new, so the door to the drawing room is framed by abstract silk screens by John Hoyland and Albert Irvin that hang above a pair of Georgian-style demi-lune walnut tables. Janet’s career changed direction when she left the salesrooms to become a writer. The study is where much of her working day is spent. Her favourite auction purchase is the huge bookcase that fills one wall. ‘I broke all my own rules – I bought it having not viewed the sale, on the telephone. I had measured the wall where it was to go, but I forgot to allow for the fact the skirtings protrude by several inches. I realised this only when the bookcase was delivered and we started to install it. Fortunately we were able to unscrew an electric socket and squeezed it in. It now looks as though it was made for the room!’ The couple are keen travellers and mementoes of various trips are dotted throughout the house. A model sailing ship in the dining room provides a dramatic focal point at one end of the room. ‘It isn’t as old as it looks. We bought it 10 years ago, in Hôi An in Vietnam. We went into a workshop – I thought we were going to buy a small carving, but Paul saw this and had it shipped over, saying he would keep it in his office. It was so big it wouldn’t fit, so here it has been ever since,’ says Janet. Upstairs, the bedrooms are furnished in a traditional style, with heavy linen curtains, antique and vintage furniture, some bought at auction or from dealers and other pieces inherited. ‘Our friends and children, who are all based in London, are always coming to stay. Our daughter was married in the garden, and now there are grandchildren too. The house has been perfect for gatherings and is so much a part of our family life it’s hard to remember a time when we didn’t live here. But recently we’ve had the urge for a new challenge, so we are moving to a derelict medieval barn, which in time we’ll turn into a very different home.
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LET’S HAVE COFFEE IN THE GARDEN
by Erdem Gorgun on Nov 28, 2019
For 23 years, Dominic Monaco avoided his garden, but who could blame him? “It was a mini forest on a tilted slope,” he says, describing the tangle of overgrown cedars that grew on the incline just behind his home in Westmount, Que. When he did brave his side yard, he had to walk down steep stairs that led to a small, dark terrace with crumbling stone walls. In 2016, Dominic, who runs an auto parts company, finally decided to tackle the mess. “I thought maybe I would fix the wall and do the rest in phases,” he says. That short-term solution was tossed aside, however, after he met with landscape architects Sophie Robitaille and Teressa Peill. Impressed by their ideas, he recruited the duo for a full-scale reimagining of his outdoor space. “His house is modern, minimal and square, so my initial instinct was to respond to that architectural style,” says Sophie, whose first proposal detailed a rectilinear garden design. “Then Dominic said, ‘I’m Italian. I need my dream garden to hearken back to my roots.’” He also wanted the garden to be done in the warm, sunny hues of Tuscany to match his memories of dining alfresco among cypress and citrus trees. The garden took five months to build, with Alfonso Campisi as project manager, landscape architecture by RobitailleCurtis and landscape contracting by L’Artisan. To set the mood, Sophie and Teressa’s plan involved replacing the old concrete stairs with a curved design that gently leads to a terrace below. “The stairs offer a pleasurable experience,” says Sophie, encouraging you to meander, stop and stare at the cityscape beyond or admire the lush trees. Hemlock and river birch, hay-scented ferns, white Brunnera and a Japanese maple now grow along the stairs, bringing texture and vibrancy. In total, the landscape architects planted 52 trees on the property (including at the front of the house), along with shrubs and perennials. “Unlike a wild English garden, the planting was structural,” says Sophie. “Its layers create a sense of depth and privacy.” When you finally arrive at the bottom of the stairs, two distinct zones take shape on the terrace. A dining table, which perfectly fits the space, sits under the dappled light of a dramatic pergola built of Western cedar. Next to it, an outdoor sofa and deep, comfy armchairs invite lounging with digestifs. A low wall built of pale yellow Ducharme stone and topped in Adair limestone coping defines the perimeter and, instead of paving stones, Sophie chose a finely textured ground covering of granite and resin, which has a soft feel underfoot. Since the garden’s redo, Dominic heads to the terrace as often as possible. “Every morning after exercising, I walk the entire garden circumference in peace and quiet, taking it all in with an espresso,” he says. “It’s a perfect way to start the day.”
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by Erdem Gorgun on Nov 15, 2019
Geri O’Toole and Cathal Glynn pooled their skills to turn a derelict cottage into a bright family home.
Design is in Geri O’Toole’s DNA. Her father set up a furniture retailer in Limerick named Browsers, which Geri runs today, and her late mother was an interior designer for the business. Geri’s childhood was steeped in swatches, mood boards, antiques and fortuitous saleroom finds. ‘I used to work in the shop during the holidays. I just loved being there,’ says Geri, who now also runs her own interior design business, Geri Designs, from the shop. She found her match in her husband Cathal Glynn, a joiner whose skills proved useful when the couple bought a ramshackle, single-storey cottage in Castletroy five years ago. ‘Mountshannon House was built in the 18th century and burned down in the Twenties. Our house was built on the estate after the fire,’ explains Geri. ‘The property was derelict when we first saw it. But we like a challenge, so we bought it.’ The couple – who have a four-year-old son, Finley – have transformed the house, knocking through to create an open-plan kitchen-diner/living area on the ground floor. They extended up to the roof space to create an additional floor with two bedrooms and a bathroom. ‘We didn’t need planning permission because we stuck with the original footprint,’ says Geri. Instead of adding a third bedroom upstairs, Geri reconfigured the floor plan to include a vaulted ceiling, adding unexpected drama to the living area downstairs. She designed the new staircase using urban materials that contrast with the wide oak beam, salvaged from a hotel in Cork owned by Geri’s father, and exposed brick walls, which lend a rustic warmth to the area. ‘I wanted to balance the clean lines and modernity with natural materials – I don’t like too much perfection,’ says Geri. Cathal made sash windows using the original weights, and the existing brick fireplace downstairs was restored. ‘We tried to preserve as much of the old building as possible. I love these original features; they give the house soul,’ says Geri. An understated palette underpins the calm, light feel of the home. Monochrome tranquillity abounds upstairs, where a roll-top bath sits against walls papered in a motif of swirling clouds. ‘I love the way the wallpaper makes me feel as though I’m floating up on high.’ The pale backdrop is warmly sprinkled with antiques and heirlooms gathered by Geri and Cathal over the years. Silvered mirrors illuminate the sitting area, soft Persian rugs adorn the floors, and modern artworks by Irish artists, such as Markey Robinson, enhance the rooms. ‘The way we decorate has changed so much. People used to stick to one look, but nowadays we’re more open to mixing and matching,’ says Geri. Nearby, a set of dilapidated outbuildings are in need of attention. Geri and Cathal have various ideas: the barns might become a holiday rental, or a workshop. Whatever their decision, one thing is clear: a transformation is in store.
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by Erdem Gorgun on Nov 14, 2019
Magnus Pettersen and Ella Jones gave a tired Victorian property a contemporary twist with a clever use of vibrant colours and natural materials.
When Magnus Pettersen and Ella Jones upsized from a small modern townhouse to a larger London property, they were looking for a project. The couple, who met 10 years ago, had completed three renovations before buying this three-bedroom Victorian terrace. ‘Its converted loft, extended kitchen and big garden were huge draws for us,’ explains Ella. They also loved the location on a tree-lined road. ‘It’s very peaceful and close to lots of green space,’ she adds. Used for shared occupancy for years, the house was severely neglected, with strippedout period features and a confused groundfloor layout. ‘There was a bathroom in the middle of the sitting room,’ Ella recalls. Magnus is an award-winning product designer and Ella is a fashion designer working for global brands, so they brought a strong creative vision to reimagine the property. They lived on-site throughout the year-long renovation, acting as interior designers and project managers. Magnus and Ella worked alongside their builders, who were also able to complete all of the carpentry to a high standard. Knocking down the internal walls at ground level turned small rooms into bright, open-plan living spaces. The couple were keen to lay concrete flooring, so they dropped the floor level at the front of the house to meet the kitchen, where there had been a step down. They also moved the kitchen units and added double doors out to the garden and a skylight window above. To fit the supporting beam for the window, they had to move the staircase. ‘The old stairs were rickety and falling to bits,’ explains Ella. So the couple designed a new staircase for the builders to make. ‘They also made the kitchen unit doors that we planned to look more like furniture than a fitted kitchen,’ explains Ella. Keen travellers Magnus and Ella have filled their home with treasures from their trips and many of their interior ideas come from abroad. Throughout, beautiful Moroccan rugs add warmth and texture. The rugs are all from Ella’s extensive collection, which she sells in her east London shop, A New Tribe. A visit to Japan in 2017 influenced their design of the wood and reeded glass partitions that partially divide the kitchen and sitting room, while also framing the area by the front door where the hallway originally stood. ‘The reeded glass panels are a nod to mid-century open-plan homes and create a subtle division with a lighter effect than solid walls,’ says Ella. Inspired by the Swiss-French architect, Le Corbusier, the couple planned their colour palette using his Colour System, where every hue can be combined. The vivid blue wall in the kitchen-diner helps to zone the space and contrasts with the earthy neutrals, greys and blacks used elsewhere. On the first floor, they turned a bedroom into a bathroom, removing the ceiling to fit a pitched roof and adding a large window. The bathroom walls were finished with the tadelakt-style lime-based plaster typical of Moroccan bathrooms, and the pair designed a reeded glass shower screen to echo the ground-floor partitions. ‘Completely transforming a property is so satisfying,’ Ella says. ‘But it was such hard work. Next year we’re planning a holiday instead.
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by Erdem Gorgun on Nov 09, 2019
Emma Hatfield Watkins’ use of a subtle palette and thoughtful touches brought the character back to her elegant, much-loved 18th-century property.
When Emma Hatfield Watkins’ husband, Iain, was a teenager and mowing his neighbour’s lawn to earn pocket money, he never imagined that, one day, he would buy the house he’d often admired from across the garden. Over the years, the property, which is surrounded by barns, has witnessed a number of reincarnations. ‘During the Seventies, an occupant sold the house and moved into one of the barns which they’d converted,’ explains Emma. ‘The surrounding garden was then divided up between the two owners.’ In the late Eighties, Iain’s family bought that barn and he converted the adjoining stables into his first home. When Emma and Iain got together in 2004, she moved into the stables with Iain. Captivated by the tranquillity and charm of this idyllic, rural location, a year later, when the pair discovered that the adjacent house was on the market, the news instantly piqued their interest. ‘Although the stables were great, we needed more space,’ says Emma. ‘This was a chance to bring both gardens back into the same family and own a wonderful home, while living close to Iain’s parents.’ Having dug deep, Emma, an interior designer who owns Hattie Hatfield Decorative Antiques & Interiors, and tree surgeon Iain, bought the property. ‘Although the house was lovely, most of the original fireplaces had been blocked up during the Seventies, and, somehow, with all the changes that had occurred over the years, it seemed to have lost its sense of identity,’ says Emma. Keen to inject the house with the character and soul they felt was lacking, the couple began their sensitive restoration project. The first room to be updated was the Nineties kitchen. ‘We replaced the dark ceramic floor tiles with limestone flooring, which we continued into the hall to give a sense of cohesion and lighten the spaces,’ explains Emma. Iain removed a small gas fire in the kitchen and spent weeks painstakingly building a stone fireplace from scratch. ‘This was the first of five previously bricked-up fireplaces to be reinstated,’ says Emma. Not long after the kitchen was finished, the pair were forced to turn their attention to the bedrooms. ‘One day, I walked in to hear the sound of gushing water and, on closer inspection, found that a header tank in the loft was overflowing,’ says Emma. ‘The carpets in two of the bedrooms and landing were soaked. ‘Fortunately, I caught the problem before the water ruined the new kitchen and, luckily, only the ceiling in that room was damaged.’ Once the repair work was completed, Emma was able to focus on the decor for the bedrooms. ‘I felt warm, muted colours would work well to create a calm, relaxed feel, so I chose a subdued palette with lots of layering to inject depth and interest,’ she says. Over the years, the pair have poured their hearts into creating a home full of antiques. ‘Iain has turned his hand to everything from the plumbing and electrics to building work,’ says Emma. The house has constantly evolved, particularly since the arrival of Tillia, now nine, and Tobias, now seven. ‘When the children came along, Iain turned an annexe into a snug and added a home office,’ says Emma. This hard-working couple’s devotion to their restoration has culminated in an exquisite home that’s welcoming and sophisticated yet family friendly. ‘Iain and I feel incredibly privileged to play even a small part in its rich history,’ says Emma. ‘It’s wonderful to see the children running carefree across the lawns with our dog, Hattie. It was clearly a great investment of Iain’s time all those years ago.
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by Erdem Gorgun on Nov 05, 2019
AFTER WORKING AND RAISING A FAMILY OVERSEAS, CAT AND SIM PRESTON FELT THE CALL OF THEIR RURAL ROOTS AND FOUND THE PERFECT ENGLISH FAMILY HOME IN THE COTSWOLDS.
It was a case of going back to their roots when Cat and Sim Preston bought a beautiful converted mill in the Cotswolds. Originally from Wiltshire, the couple lived in London and then overseas in Kuala Lumpur, Singapore, Chicago and Hong Kong, as they brought up their three children, Jake, Josh and Hana. But when Jake was about to start his GCSEs, he decided he wanted to go to school in the UK. ‘It gave us the impetus finally to move back home to England,’ says Cat. She began looking for properties online and soon spotted an idyllic converted grain mill. ‘This house jumped out at me,’ she says. ‘I fell in love with it at first sight. Added to that, Sim is a geographer at heart and we were looking for something with water – this was perfect as there’s a mill stream in the garden.’ Sim came back to the UK with Jake when he started school and they took the opportunity to view the house. ‘They filmed it on their phones so I could see it,’ says Cat. ‘We took the plunge and put in an offer. Then I visited and, fortunately, it was just as gorgeous as I had thought.’ The 400-year-old house had been a grain mill until 1959, then stood empty for 10 years until it was bought by an architect and converted into a French country-style family home. ‘The house still had many of its original features,’ says Cat. ‘The previous owners had retained them when doing the conversion, so the bedroom had beams with pulleys. It had been restored with great attention to detail, which we loved.’ The family now had a base and over the next two years they renovated the house. ‘We were living in Hong Kong still,’ says Cat, ‘but we came back most holidays. Friends recommended builder Dan Eaves of CJ Holme who did a fantastic job project managing the work.’ The renovations included installing a new heating system, putting in three new bathrooms and building a conservatory at the back of the house. In addition, a barn and outbuildings were converted into guest accommodation. ‘The result is an upside-down guest house, with two bedrooms downstairs and an open-plan living room and kitchen upstairs that take in the view across the meadow. We wanted the barn conversion to feel like part of the main house and be in keeping with it,’ says Cat. So stonemason Jim Clayton built new walls that matched the originals, while Dan Eaves sourced reclaimed oak for the framing. The family home was then redecorated throughout. ‘I wanted to get as much light in as possible, and I kept the palette neutral to complement the Cotswold stone,’ says Cat. ‘I like to keep the look simple but add colour with abstract paintings. My mother-in-law Sue Preston is an artist and my friend Kirsten Coltart is an interior designer, so they helped with the aesthetics.’ ‘It’s been fantastic to create a family home in the UK after living in Asia for so long,’ says Cat. ‘We’re country people at heart so it’s great to get back to our rural roots.
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by Beau Ueland on May 31, 2019
MARY LUSSIANA IS ENCHANTED BY AN ART AND CRAFT-FILLED HOTEL AMONG THE OLIVE GROVES AND HILLTOP TOWNS OF THE ALENTEJO REGION Somewhere in the range of two hours east of Lisbon, the scene of open fields is dabbed with olive forests and antiquated, white-washed, peak towns graced with settling storks. The as of late opened Dá Licença has brought a totally new dimension of cabin to this crude and true corner of Portugal's Alentejo region.Converted nineteenth-century ranch structures, dissipated crosswise over ground that was initially developed as a natural nursery by nearby nuns, are at the core of in excess of 300 sections of land of land. Here, somewhere in the range of 13,000 olive trees thrive and outcrops of the zone's fundamental marble – in delicate pink and glowing white – push through the ground like snowdrops in springtime.In the primary house, there are three roomy suites, one of which opens out onto an emerald green interminability pool. Four additional suites – two standing autonomously with private pools and two all the more framing a cluster with housetop porches and enormous patios – keep running from the house in the middle of fig, olive and stopper trees down towards Estremoz.
An overwhelming town with medieval bulwarks and a 28-meter-high keep, created totally in the nearby marble, Estremoz stands high not too far off ruling the encompassing wide open. It is more than deserving of multi day's meandering (stop for lunch at Gadanha Mercearia and attempt generous nearby dishes, for example, braised dark pork cheeks). There is an abundance of recorded landmarks to visit, from holy places to palaces and houses, just as a rich territorial convention of handiworks to find, from weaving to brilliant earthenware production and dirt figurines.It is fitting, at that point, that Dá Licença's proprietors – Portuguese Vitor Borges and French Franck Laigneau – have made this little jewel so as to pay praise to expressions and specialties. They have drawn generally on the expertise of provincial craftsmans, with woven mats from Mizette Nielsen – long a figure of note in the Alentejo's weaving industry. The ubiquitous marble includes in side tables and lights structured by Vitor and made by nearby specialist Francesco Pluma; there are likewise material green-veined white marble baths and hand-cut bowls in Estremoz's palest pink marble – what the Italians call pelle d'angelo. Rock floors give welcome cool in the seriously sweltering summers here.Overlaying these insides are works of art from the Jugendstil and Anthroposophical structure developments – which Franck supported in his Paris display in a past life – just as numerous contemporary pieces, for example, pottery by Susana Piteira and a metal smokestack by Ico Parisi, formed like a drop of water. Every room has been deliberately designated with furniture and artworks that reverberation the country effortlessness outside.And it is the outside that left me with my superseding memory of Dá Licença: the red Alentejan sun setting over a round pool sponsored by pieces of marble and trees of orange, lemon and tangerine, through which the breeze whistles in the quietness.